Going to work on a new project Albatross DIY Guitar it’s a Les Paul style that needs to be built from the kit. I will start out by selecting a finish for the guitar then working on that, once I have the finish I will work on the body. Then, I will decide what the headstock shape should look like. I will fashion the headstock to that shape then finish that too. Once I have completed all the preliminary finishing I will assemble the guitar and put all the pieces together.

So here’s my kit before we get started. There are pictures of everything in the box (note, no instructions whatsoever!)

This is the box with all the parts in it. I looked at the body and there are definitely some areas that need some filler. I am going to research the best way to fill it. Obviously if I use some filler I can’t use stain to color the body as the filled areas will show up like sore thumb.

This is the back of it, you can clearly see that we do not have a one piece solid body but, keep in mind you can’t expect a $2,000 guitar. This is a cheap kit and so far looks like a good kit as long as you keep your expectations in check.

This is a little closer on the body. I like the look of it even though it’s a very thin veneer. I tried a few of the pieces together and they seem to fit reasonably well. I like what they have done so far but on the right hand side where the neck meets the body the binding is sticking up above the body and interfering with the neck. I need to file that down to prevent it from interfering with the neck position.

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AMPLIFi FX100

Just received a Line6 Amplifi FX100 as a gift, it’s a multi-effects pedal on steroids. – It has man built in AMPs and Cabinets plus all the pedals I could possibly want/need. It is a piece of hardware that has a bluetooth connection to and Android or iOS device.

I am using it with my Nexus7 and setting up the FX100 so I can play Rocksmith songs and use the pedal to play the tones that I need to sound like the song. – I have already created a couple of custom tones based on the Rocksmith tones, they are pretty analogous if you use your judgement to select similar amp, cabinet and pedals. There are some things you need to know to get the FX100 working and the documentation is pretty sparse but once you figure out the basics it’s lots of fun.

I will work on documenting some of it here when I get the time but for now, I think it’s very cool.

One of the ideas I had is to use the FX100 to find a tone for the CDLC I am creating then use that a basis to create a new custom tone for my own CDLC. It should be fun to try. – I just wish I had more time to do that.

I was able to set up a few tones, load them on the hardware and the navigate using the foot switches to the bank (25) that has my tones in it then navigate through the tones using foot switch A through D. It works pretty well, if you have the Nexus on the screen showing that bank, clicking the foot switch will change the current tone on the Nexus, it’s pretty slick. I have already uploaded one tone to the Line 6 tone cloud and expect to get a little more prolific with that.

To create a new song there are many steps to take, the order of  things is important to get a working song:

1. Open Editor On Fire (EOF) and click file/new to start a new song.
2. It will prompt you to pick your music file (usually an mp3 file) Remember that you can make an mp3 from a YouTube video if you are hunting for a music track.
3. There will be a dialog that asks you some music information fill in the appropriate fields.
4. Once you have the song loaded you will see this screen. Of course you can’t see your song wave yet because you haven’t switched it on.
5. Select song/waveform graph/show
6. Now add a leading silence to the song before you start modifying anything. You need this so the song doesn’t start too quickly in Rocksmith.
7. About 3 seconds will do the trick. The EOF will update the ogg file to add the silence.
8. Now under beat update the bpm. If you don’t know the bpm you have to figure it out. This is critical to getting the timing right. If you don’t have the right bpm your song tab won’t line up.
9. Now we need to set the track to which track we are creating. You can use part real_guitar for the lead or the rhythm you just have to keep track of what you assign where.  If you don’t select part real_guitar or real_guitar_22 you may not be able to modify Rocksmith specific features. Also, you won’t be able to import the guitar pro tab.
10. From the file menu you can import the guitar pro tab (Guitar Pro Import)
11. Select your guitar pro tab for the song. If you don’t have the tab you are going to need it or you will be entering all the notes manually. You can edit and create guitar pro 5 tab in Tux Guitar. It will allow you to play the tune and hear how the tab will sound. Remember that all of the component parts are very important. If your song doesn’t play the exact tab you have selected then you will have to modify to make it work in Rocksmith2014.
12. When you import the guitar pro file it will ask you if you want to use the time signature and other setting from the guitar pro file, it is up to you. Do what is best for the final outcome.
13. When you import you may have multiple tracks in the file. You can import the one that you want for this track, you can always import the others later. (The one in the picture only has one track “Guitar” so that’s what was imported).
14. Once you have imported it, you will see the notes from the tab and the wave form together. It’s obvious from this that the notes start too early in the file. To change that you can drag the beat marker to the beginning of the wave form.
15. Once you do this, if (a big if) all the notes line up with the music in the wave form, you are in great shape. Chances are they won’t and you will have to do lots of manual manipulation to the file in EOF. Take your time here as the final outcome will only be as good as your EOF file and its timing, song to notes and how they play. You can review the notes in EOF an see how they line up whilst you listen to the music in the wave form.
16. As you advance the music, you will see the notes in the 3D view lining up with the timing markers. You can check to see if the notes are going to be presented at the exact time that you they should be played. Remember in EOF you can fine tune the tab by adding, removing and adjusting individual notes and chords.
17. Once you have lined everything up you can import your lyric file, this will display the lyrics in time with the music. If you don’t have an lrc file you will need to make one. It’s quite time consuming to line up the words with their timing markers but it will make a much better final product if you do it. You can use UltraStar Creator to create a lrc file that will work with EOF.
18. Now you have your file set up, you can add sections to break it up in Rocksmith and allow the dynamic difficulty to be added later. Just try to break the song into sections that make sense. Intro, Verse, Chorus, Outro etc. These are going to be important for riff repeater use too.
19. Finally, save the file and open up wwise so you can make the ogg vorbis files and the wem that you will need to create the usable psarc file.
20. Click on new to start a new project in Wwise. Once you have filled in all the required boxes you will have created some project files in it’s own Wwise folder.
21. Right click on the Default work unit and select Import Audio Files….
22. Select the happy birthday files from EOF then click on source setting on the right hand side of the screen.
    Click on Override parent then select Factory Conversion Settings/Vorbis/Vorbis High Qualtity. Then select Edit…
23. Make sure you have selected stereo then click Edit… here.
24. Change the seek table granularity to 16384 and click OK
25. Click convert and it will create the Ogg Vorbis file that you need. Do this same process for the song preview that you created in EOF. That will give you the files that you need to make the psarc with the Rocksmith Creator Toolkit.
26. In the creator you are going to create your Dynamic Difficulty first, this will create new xml files that you need. Select the DDC tab and click Add.
27. Add your guitar part xml file. This is the xml file you created in EOF.
28. Now select ddc_8_max_levels under options. Set the phrase length to 4 and click Generate DD. This will make a new XML file that DD in the name. It contains the information required for Rocksmith to use dynamic difficulty.
29. Now in Platform make sure you have only selected the platforms you want to create. In my case just PC. Then fill out the information for the song you are creating. Select a song in the drop down box that you already own the DLC for. It can be any song as long as you own it already.
30. Under files select the wem button to choose your wem file that you created with Wwise.
31. You can select the file you want then when you create the song it will ask you about the preview file too.
32. Select the album art that you have for your song. If you don’t have something, you can go on google and under images select something that has exact size 512×512. This will give you the best result.
33. Double check you have everything filled in correctly and that your game version is RS2014
34. Under the arrangements click add. In the pop up box you can select the XML file for the arrangement you are adding.
35. Select the DDC_Part which is the XML with the dynamic difficulty in it.
36. Here is where you can select Lead or Rhythm as the arrangement. You can also select the appropriate tones. If you have your own or you just want to use one from another song. 
37. Do the same thing for the vocals then, click generate. It will ask you where you want to save the psarc file. Once you have the psarc file (for the appropriate platform) you can copy it to your Rocksmith DLC folder. It is in c:\windows\Program Files(x86)\Steam\Steamapps\Rocksmith2014\dlc folder.
38. Start Rocksmith and your new song should appear in the appropriate area (Lead, Rhythm etc). You should be able to play the song, see the dynamic difficult and enjoy!

I have done a lot of searching and so far, there is no easily accessible repository for custom tones. I will keep searching but if I can’t find one, I will have to start building my own library. I want to use the custom tones in custom songs that I make for Rocksmith 2o14 see this page Custom Songs for Rocksmith 2014

I just found this information about adding the tones;

In EOF:

• Scroll to the position you want to have the switch at: idealy not exactly on the first note with the new tone, but a little bit before. Otherwise the note might get chopped of or something and in reality you would hit your pedal right before you play the next note as well.
• Go to Track->Rocksmith->Tone Change->Add
• Give it a name. Careful: The name must be one from the Tone Name dropdown menu you find in the Toolkit under Edit Tone. The same names will be associated to another.
• Repeat for all tone changes
• Under Track->Rocksmith->Tone Change->Names you can (and maybe must) define the default tone.
• Your default tone should be added @ position 0 seconds

In the Toolkit

• Make sure the tone names are the same as used in EOF
• Under edit arrangement select the tones (base should be the default tone, I think)
• I had to check the box “disable tone slot changes…”, otherwise my CDLC wouldn’t start